![]() ![]() He is a complex individual, who beneath his shrewd, no-nonsense exterior conceals a sense of compassion and loyalty. In this book, we meet Matthew’s father, Philippe, and he is easily my favorite supporting character of the entire series. It has its redeeming qualities, chief among which being its characters. The goodĪs I noted earlier, Shadow of Night is by no means a terrible book. By the book’s end, you are more than ready to see the characters leave Tudor England and return to the present day. Compared to A Discovery of Witches, Shadow of Night is neither as engaging nor quick of a read. ![]() This overattention to detail and tendency to focus on minor plot points causes the book’s pace to be a tad slow at times. I could have done with fewer scenes of Diana doing alchemical experiments with Mary Sidney and more scenes of her doing magic lessons with Goody Alsop. ![]() Diana and Matthew come to the past to learn more about Diana’s powers, as well as Ashmole 782, yet they seem to spend most of their time playing house and gallivanting around Europe. The story frequently becomes bogged down in historical detail, particularly during the parts set in London. The book’s greatest fault is that it at times reads like an exposé on Elizabethan England. It is by no means an unreadable book, but it is certainly the weakest of the trilogy. Shadow of Night suffers from middle book syndrome. TLDR: Overall, an enjoyable book but could benefit from less of a focus on the historical facts of 1590s England. ![]()
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